You Can’t Fool the Heart

You cant fool your heart

Victoria steps into the flats entrance, presses the button for the lift, rides up to the sixth floor, and walks over to the door where she spent all her childhood and teenage years.

By habit, she pulls her keys from her handbag, glances at them, then at the door, and tucks them away again. Instead, she presses the buzzer.

Her mum opens the door.

Why are you ringing? Forgot your keys, did you?

Victoria nods with a bright smile. Hello! How are things?

Hello, love. Her mum moves in for a hug, Victoria gives her a quick peck on the cheek. All fine, come inside.

Victoria hands over the bags of groceries and medicine shes brought and breathes out in relief: her mum seems in a good mood and theres no sign of any lectures coming her way.

Just then, her father appears.

Oh, its you, sweetheart! At last! Are you on your own? We thought youd bring Richard.

Ah, well Victoria realises she hadnt prepared a reason for turning up without her boyfriend. He had things to do.

There wasnt much else she could say.

Last time they visited, her parents had cornered poor Richard about wedding plans so much hed promised to propose very soon, just to get some peace.

Ever since, the two of them barely spoke on the way home, then, once through the door, Richard blew up.

As if I never proposed before! he fumed. I have! Its you holding things up! You cant set a date, so we cant tell anyone.

He acted all wounded. Maybe he truly was upset at her endless dithering.

Victoria hugged him. Youre the best. I love you! she told him. She did love Richardhe was brilliant in many waysbut she never felt he was truly the one. It all looked right, but something was missing. She couldnt explain what, nor what to do about it.

Right then. Wash your hands, settle at the table, tell us your news, said her mum.

And so, the familiar routine played out. Victoria chatted with her parents, they fed her lunch, then she was getting ready to be off when her parents exchanged glances and her mum spoke up.

Tell me, do you love Richard?

Yes, I do.

And has he proposed to you?

He has

He has? And?

I asked for some time Im thinking

Victorias eyes dropped, tracing the tablecloth pattern as if shed never seen it before.

Victoria! Her mum may have clapped her hands, Victoria wasnt sure as she didnt look up. Victoria! Last week your father and I gave poor Richard such a grilling But its actually you stalling! What are you thinking, darling?

I dont know

Sweetheart, I do understand

Victoria looked up, surprised.

Really?

Of course! I worried Id pick the wrong day for my own wedding, that itd rain, somethingd go wrong with the DJ, or someone would fall out over outfits But you know, everything turned out perfectly in the end!

Victoria smiled.

Of course! Her mum couldnt possibly imagine that Victorias worries ran much deeper.

In the end, love, you and Richard fit each other so well. I saw it from the start, so I was delighted when his parents suggested the two of you should meet

WaitVictoria felt like everything slowed down.

What do you mean, suggested?

Exactly that. First, Richard saw a photo of you, he liked you, then you bumped into each other and he won you over.

Interesting! So their meeting wasnt just a coincidence.

Well, sure, we could have introduced you by inviting them over. But thats not very romantic, is it?

On the way home, her mums words kept spinning in Victorias head:

We could have introduced you, but thats not very romantic!

Not as romantic! Not as romantic!

She was cross with her parents at first, but by the time she was home, shed calmed down.

In the end, the fact that she and Richard genuinely liked each other only proved they knew the sort of person shed fall for.

Still, something was missing with Richard. Oh, if only she knew what!

Victoria, youre late! Youve missed everything! Anna, her colleague, is upon her barely a second after she arrives at her desk.

What did I miss? Victoria grins.

Not whatwho. Theres someone new. I just know youll fancy him.

Victoria bursts out laughing.

Me? I bet its you who already likes him! And dont forget, youre a married womanwith two children!

Anna blushes furiously.

Thats it, Victoria! I wont tell you any more, Anna grumbles, turning to her computer.

Victoria switches hers on and gets down to work.

Lunchtime nears.

Well, Im off for lunch. She rises, picking up her bag.

Coming? Victoria turns at the door to Anna, but Anna mutters, No thanks!

Victoria shrugs and heads out.

As she walks down the corridor, she reflects that shes grown a bit snappy of late. Why did she tease Anna like that? It was only a joke, but not a very kind one.

At that moment, a young man ahead comes to a stop and Victoria of course bumps straight into him.

A classic move!

Sorry! he says, although shes the one that walked into him.

Victoria opens her mouth to protest, but changes her mind. Obviously this is the new guyshes never seen him around the office before.

Im Victoria, business analyst, she blurts, not knowing what else to say.

James, software developer.

Nice to meet you.

Likewise.

Then James smiles. At that moment, Victoria knows shes done for. When he first turned, she just found him attractivebut when he smiled her heart gives a jolt, thuds harder. Those dimples! The green-flecked grey eyes lighting up!

The silence drags on.

Im heading for lunch, Victoria blurts the first thing that comes to mind.

Enjoy, James replies, still grinning.

Victoria smiles back and walks on.

She might look perfectly normal to any onlooker, but inside shes forcing herself to keep putting one foot in front of the other, resisting the urge to turn around and follow the new guy back down the corridor.

At lunch, Victoria barely eats. Her mind keeps wandering back to James.

No, this is ridiculous. Love at first sight? Nonsense Sure, hes handsome. That smile those eyes! But its only whats on the outside. For all I know, he could be completely different underneath.

Victoria firmly decides she should just try to be friends with James first.

She heads back to her office. Anna greets her with more news:

No point pining. I found outhes got a girlfriend, so neither of us stands a chance

Victoria sits down.

Right, is all she manages, feeling a hefty dose of disappointment inside.

For the record, Ive got a boyfriend, so I wasnt thinking about the new guy anyway, she adds briskly.

If Anna had replied, theyd probably have argued. Thankfully, Anna stays silent.

Time ticks by.

Victorias parents are still waiting for her to announce a wedding date. Richard is waiting, too. Even his parents look at her with hopeful expectation whenever they meet.

Victoria feels their pressure. They all smile, act pleased, but their eyes plead: When?

I must do something, Victoria thinks, but she cant commit to any actionso she does nothing at all.

Maybe its because shes waiting for James. Yes, theyve become friends. Now she knows all about his personal lifehow hes been with his girlfriend for five years, how those years have been a constant cycle of breaking up and getting back together, and how he still doesnt know if shes the one for him or not

Its uncanny and odd, Victoria thinks. Hes in limbo, just like me.

.

Victoria, have you noticed its nearly summer? Richard asks over breakfast one morning.

Of course! Im so looking forward to it. Summers my favouritedont you remember?

A wave of happiness washes over her, almost like shes grown wings.

I think we should get married in summerin July or August, perhaps. Lovely weather.

And just like that, Richard ruins her mood:

Not the wedding again! Why cant we just carry on as we are?

So, what do you think? Richard presses.

How about autumn instead? Victoria ventures. Its still warm and so beautiful. Summer is peak travel seasoneverywheres hot and expensive.

No, I mean the wedding itself. The honeymoons separate. Neither of us will get time off in summer, so: July or Augustpick one.

He stares at her. Victoria realises she cant dodge the wedding any longer.

August, she says at last.

Brilliant! At last! In two months, were giving notice at the registrars.

For days, Victoria feels disoriented. Richard has boxed her into a corner: its July or Augustno choice.

I have to do something, she tells herself once more. But what? Call off the wedding and leave Richard? But where would she go? Her parents wont take her back; theyve been clear about that. She could move in with a friend. Or maybe save up for her own place.

She wanders off to lunch and, inevitably, bumps into James. They chat a bit and flirt. Then Victoria says:

Im getting married in August, you know. There!

Have you finally made your mind up?

Victoria nods.

Good for you. I still cant figure myself out

Thats all youve got to say? Victoria thinks.

Maybe shes imagined everythingthat James was never interested in her at all. True, they smile, share jokes, others are convinced theres something between them, even though nothing actually is.

Are you coming to the party tonight? James suddenly asks.

What party? Victoria is genuinely surprised.

There was a company email. Some big dayeveryones invited. Ohyes, Ill come.

Forward me the email, will you? I think Ill come along too, Victoria says.

..

Why did I come to this party? Its boring! Victoria thinks.

She scans the roomno sign of James, but she spots some familiar faces from accounts and heads over.

Whys it so quiet tonight? she asks them.

The IT lot made a mess of the invite listsome didnt get one. Its fine, though. Fewer people, more air to breathe.

Right.

Victoria glances round againno sign of James.

So, are you looking for James? Hes not coming, his girlfriend called and he dashed off straight away.

Victoria shrugs.

What makes you think Im waiting for him? Ive got a boyfriend, remember.

She tries to smile sweetly.

The girls move on to another topic and Victoria joins in, but feels disappointed deep inside.

What now? Should I just head home?

She could easily leave, but why let Jamess absence ruin things? No, she decidesnot worth it!

Victoria shakes off the thoughts and joins in. She chats with the accounts girls, then another group, then another.

Everyone moves to a different bar, then another, then end up wandering in the park together in a big group.

People slowly drop off, but Victoria isnt in any rush to go home.

Victoria checks her watch.

Six in the morning! Goodness!

She grabs her phone (still on silent), notes shes missed countless calls from Richard.

Looking up, she realises shes ended up with just the companys managing director, Peter Alex, after a whole nights conversation about books and films.

Now Victoria feels awkward, cheeks burning.

Oh, looks like weve lost track of time, she says at last.

Yes, a bit, Peter Alex smiles. Ill order you a cab.

Soon the cab arrives. Victoria tries to act casual, although, to be fair, nothing actually happened.

That was brilliant, she says. We must do this again some time.

She almost bites her tongue.

Peter Alex laughs. Of course! Very soon.

Victoria blushes again, awkwardly.

And where have you been? Richard demands furiously.

At the party, like I said

Some partyto nearly 8am!

I know, Im sorry, wont happen again

Hmph. Nor should it. Pack your things and go.

Maybe Richard thought Victoria would beg for forgiveness or plead to stay. Who knows, maybe not. Either way, Victoria is stung, packs her things, and leaves for her parents home.

You broke up? How could you?! You were perfect together! Victoria watches her mum throw her hands up to the ceiling and roll her eyes.

Oh, Mum

What, oh Mum? We picked you such a good fiancé, and you

Thats just ityou picked him, Victoria thinks, but says instead:

Will you take me in, or do I need to find a flat?

Of course we willwhat else would we do her parents sigh.

Victoria slumps at her desk at work. Since the party, the charm of James seems to have faded. Suddenly she realises hes not the one for her either.

So who is? And will she ever meet him? Or does she even need to?

Suddenly, her phone rings on her desk.

No doubt its someone from accounts again, she thinks, and snaps into the receiver:

What is it this time?

Er um nothing at all. Victoria, could you pop into my office?

The dial tone signals the call has ended.

Victoria stares at the phone as though its a snake.

Why are you glaring at the poor thing like that? Anna asks.

The question brings Victoria to her senses. She grumbles, stands, and heads for the directors office.

Hi! she greets the secretary, Lucy. Hes asked to see me.

Lucy glances at her in surprise.

You? she asks, reaching for the intercom.

Mr. Alex, Victoria from analysis is here Yes, all right. Lucy shoots her another puzzled look. Go on in, hes expecting you.

Victoria sighs and pushes open the heavy door.

Good morning, Peter, she says, putting some formality between them. You wanted to see me?

Morning. Yes, I did. Victoria, Id like to take you to the cinema.

Victorias eyes widen in astonishment as she stares at him.

Sorry? is all she can manage.

Well, were on first names now, arent we? I want to take you to the cinema. Will you come?

Victoria licks her lips, opens her mouth to refuse, but finds herself saying,

All right.

Brilliant. Ill pick you up after work.

Nodont do that, honestly! Ill go to the café next door and wait for you there, thats easier.

Sure thing, he smiles.

Victoria leaves his office.

All okay? Lucy asks.

All fine, Victoria says, Im not getting the sackyet.

She has to say something. After all, Lucy has dreams of winning Peter Alex for herself, and now look at things.

Soon after, Victoria and Peter meet for their date. And then again, and again

Will you marry me? Peter asks.

Of course, she replies.

Though to herself she thinks: How lucky that James didnt turn up to that party, because otherwise shed have spent the whole time thinking about him and never noticed Peter at all. And how fortunate that Richard was the one to end it, because she could never have done it herself.

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You Can’t Fool the Heart
No Fixed Abode Lydia never could stand the word “homeless.” To her, it sounded harsh and faceless. She was not homeless—she was a person who had lost her address. Someone erased from the city map, as if she were an unwanted pencil mark wiped away with a rubber. Her old life now seemed distant and alien—a state children’s home that always smelled of boiled cabbage, the predictable path to the engineering works, first as an apprentice, then as an operator on the assembly line. The machines, the rhythmic hum, the oil on her hands that never quite washed off. Her first love, Colin, died at the same plant, caught under a trailer. The cold November funeral leeched all colour out of the world. She survived years alone in the factory dormitory, until Stephen came into her life. Middle-aged, soft-spoken, calloused hands and warm, tired eyes. He was her quiet, long-awaited lull. They found solace in each other, just two lonely islands joining into their own small archipelago. He never spoke of marriage: “We don’t need a stamp, Lydia,” he’d say as he poured her tea in the evenings, “We’re family—closer than any bit of paper.” Starved for ordinary warmth, she believed him so completely shed come to see the whole notion of a marriage license as nothing but bureaucracy. They lived at Stephen’s, a little cottage right at the edge of the tracks, scented with smoke, mugwort, and freedom. They fixed the roof, painted the walls, planted lilac under the window, tended the garden. They lived for work and motion—up at dawn, home at dark, in a house that always smelled of soup and warm bread. It was her fortress, her hard-won, miniature universe. Until the black, relentless shadow appeared in Stephen’s chest. He withered before her over six long months, growing quieter, staring into space. The doctors were helpless. She nursed him, brought the bedpan, boiled broths he could no longer eat. And then he was gone. Only the stubborn smell of medicine remained, the silence so absolute not even the thunder of passing trains could break it. It was in that silence she heard the knock—brisk, urgent knuckles rapping peeling paint. On the threshold: his nephew, a young man in a shiny new jacket, and his wife, all tight curls and cold eyes. They smelled of a different world—urban, perfumed, foreign. At first, they almost behaved: helped with the funeral, brought groceries. Lydia, numb with grief, accepted it as a final tribute to Stephen. A week later, they returned—with papers. Printout, wobbly signature at the bottom—it wasn’t his handwriting. “The will,” the nephew said, not meeting her eyes. “Uncle left it all to us. He understood you—well, you weren’t family.” Lydia said nothing. All her words were stuck deep inside. She glanced at the photo on the dresser, the two of them laughing together in front of the lilacs. The nephew’s wife scoffed: “Photos don’t count. By law, you’re nothing here. Just a stranger in a stranger’s home.” She was given three days. She slept those nights in a dreamlike, mechanical trance, not crying—her orphanage had taught her tears changed nothing. Into her battered old hold-all went the essentials: documents, that photo in its frame, clean underwear, the wool shawl Stephen had given her for her birthday, and his favourite mug with the peeling bear. Everything else—furniture, curtains she’d sewn herself—no longer belonged to her. It was a house full of ghosts. On the third day, they arrived with a car, put her bag on the step. The nephew wouldn’t look at her—staring at his phone. “You understand, Auntie Lydia…,” he mumbled, “We need somewhere to live too…” His wife cut in, businesslike: “Keys. All of them. Please.” Lydia put the keys on the step and walked away, bag in hand, not looking back. She heard the lock click—no slammed door, just the final snick as her old life was sealed behind her. No one drove her to the edge of town; no one made a scene. She walked herself, by the only road she knew, heading instinctively for the railway station—the only place she could think of. It wasn’t a stroll, but a slow, heavy exile, each step widening the gulf between herself and the life she’d called her own. She walked beside the steel tracks. It was a bleak autumn day, cold, prickly rain falling. She stopped at a fence to watch a commuter train rattling citywards—windows bright, silhouettes inside: someone reading, someone dozing, someone laughing. They were all heading home, to their families—to addresses. All she carried was her bag, in which Stephen’s mug thudded dully with each step. Just a woman at the lineside. Just a person without an address. The station greeted her with echo, smoke, dust and metal. Lights too bright, voices too sharp, throngs of people with suitcases moving through a strange, unending ritual that held no place for her. She slumped in the shadow of a great pillar, hugging her bag. That first night she slept half-sitting on a hard bench, head on her woollen scarf, waking at every sound or the police’s heavy tread. Her heart thudded, but no one bothered the grey-haired woman and her bundle. There were dozens like her. The second night she found a tucked-away corner by broken chairs at the end of the waiting room. Not so exposed. Wrapped in her shawl, she faded into anxious, shallow dozes—Stephen’s face, the click of the lock, the cold shine of the rails spinning in her mind. She caught herself reaching for house keys that no longer existed. By the third morning, the survival instinct from the orphanage began to resurface. Something had to be done. And then, like a flicker in the darkness, the thought: the old dormitory, the one from her factory days before Stephen. At least there the walls were familiar. She walked for hours through changed neighbourhoods until she reached the grey tower block, unchanged in the years gone by. A young security woman, false lashes and phone in hand, guard the entrance. “Hello,” Lydia said quietly. “I used to live here—worked at the plant. Could I—could I stay a night or two? Just a place for a bit?” The woman looked her up and down, unimpressed. “Only current staff, love. Access cards, you know. Pensioner, are you? Try social services.” “But I—” Lydia stammered, then fell silent. What could she say? “I gave my whole life to this place”? To this girl in a bright jumper, her “whole life” was ancient history, weightless. Lydia turned and left. Across the way stood the old wooden bench, long ago painted green. In the evenings of her girlhood, couples sat there. Now she sat slowly, placed her bag beside her, and closed her eyes. The autumnal sun was feeble, the city’s noise and laughter faded away. Behind her eyelids were only drifting red-gold motes. Inside was nothing but blank silence, louder than the noise of the station. No thoughts of the future. No fear. Just this moment: the hard bench beneath her, and the inescapable, final knowledge—she had nowhere to go. She sat that way for hours as the sun crawled across the sky. Hunger, long forgotten, finally stirred inside—a dull, insistent gnaw. In her battered purse lay a couple of crisp ten-pound notes, leftover from her last pension. She’d guarded them like a thread to her old life—but her body was demanding now. She rose, feeling stiff and sore, afraid to leave her bag. She shuffled to the nearby corner shop—smelled of bread and sugar, as always. She clutched the notes in her sweating hand, bought the simplest bun and a bottle of water, her change added to the tiny collection in her purse. Back to her bench, her patch of earth. She sat and unwrapped her bread so carefully, almost reverently. The scent of fresh crust made her knees weak. She broke off a piece, chewed slowly—tasting the finest thing in the world, washing it down with cold, sharp water. Streetlamps flickered on; windows glowed. It was getting colder. Lydia pulled her scarf tight and huddled in the corner of her bench, resigned to enduring the night. Thoughts stuck on one refrain: “What now? The station? Hot pipes under the old plant?” She’d heard old hands talk of down-and-outs sleeping in service tunnels, where the pipes kept things warm. From the dark, shuffling footsteps approached—the careful drag of a limp. A plump, elderly woman in a woolly scarf and long coat, tugging a shopping trolley behind her, returned from the local shop. As she passed, she glanced at the bench—froze, looked again, and peered through the gloom before drawing nearer. “Lydia? My God—Lydia Smith? Is that you?” The voice was gravelly from age, but achingly familiar. Lydia slowly raised her head, and in the glow of the streetlamp she saw her face: older, fuller, but those same kind wrinkles and olive skin. Silver hair neatly tucked under her scarf. Zina Parker. Old Zina from the assembly line—they’d done twenty years together, swapped sandwiches, gossiped. She’d retired early through illness, and Lydia hadn’t seen her for a decade. Lydia tried to speak, but her voice caught. She nodded, clutching the last crust, while her dry, shriveled eyes unexpectedly filled with tears. Zina didn’t ask questions. She hefted herself onto the bench, shoulder to shoulder. “Oh Lyd… how on earth did you end up here?” Lydia was silent, fighting a trembling jaw, afraid sobs would burst forth. Zina didn’t need explanations. She saw the battered bag, the bun, the hopeless look. She read trouble like an old book—they were of the same world, from the same works. “Right, enough of this moping,” Zina said with the old factory firmness, rising. She took Lydia’s arm, helping her stand—a grip still strong despite the years. “You’re freezing! And no proper food—come on, let’s get you a cuppa.” “Zina…” Lydia whispered, embarrassed. “None of that, now! We did twenty years together—shared everything, happy or hard. Now come on. I rattle round that place alone. My boy’s in Glasgow and hardly comes home. You’ll keep me company, that’s all.” There was no drama, just practical kindness. She put Lydia’s bag on her trolley and led her away—didn’t demand explanations, didn’t look for tears. Just took her home, as if it was the natural thing—two old friends after a shift. They walked in silence through the familiar blocks. Zina lived next door, in a ground floor flat, redolent of cabbage and bay leaf, like Lydia’s old home. Zina hung up Lydia’s coat, lent her her spare slippers, sat her in the warm kitchen, and reheated a pot of soup, slicing black bread and brewing tea. Only when Lydia was fed and warm did Zina quietly ask, “Stephen—he’s gone?” Lydia nodded, unable to speak. Then after a long moment, managed, “Yes…and the house…his relatives…” “Ah, I see,” Zina sighed, waving off further explanation. “It happens. We’ll sort it out later. Sleep first. You’ll have the sofa—can’t guarantee it’s not lumpy, but it’s clean.” So, without fuss but with unyielding solidity, Zina took her in. Into the warm, soup-fragrant flat—where a TV muttered all day but there was always a meal and clean sheets. It wasn’t the end. It was landfall after shipwreck. A haven named Zina. A week passed. Lydia still woke at seven, listening to Zina potter about the kitchen, watching the light grow strong. The smell of instant coffee—the warmth was the main thing. Not just heat in the pipes, but in the “Good morning,” in the oatmeal on the table, in Zina’s grumbles about prices. Zina never pressed for details, but acted like a skilled forewoman—seeing a broken mechanism, not dwelling on failures, just figuring out what worked, and how to piece things together. “Your paperwork,” she said one morning, putting a folder on the table. “We’ll get you on the register for this address. Then switch your pension over here.” Lydia nodded. Her world, shrunk to a bench, now expanded, inch by inch, from the sofa to the kitchen, to the hallway, then into the street for groceries, clutching Zina’s list—feeling a strange pride at her errand. One evening, watching Zina knit before the TV, Lydia murmured, “I thought it was all over. I felt hollow—just rubbish to be thrown away.” Zina didn’t look up. “A hollow shell, eh? We used to chuck scrap down at the works. You’re not scrap, Lyd. You can break, yes, but you can mend too—as long as someone’s got the tools to do it. You’re not a machine!” In those plain words was the whole answer. The state, the rules, the forms—great, unfeeling machines that can drop you overboard if you don’t have the right label. But there’s another side—made up of Zinas everywhere. People who don’t think “ex-colleague” or “neighbour” is just a word. Not out of politeness, but understanding—in this world, today you, tomorrow maybe me. Lydia looked at her friend and knew—Zina didn’t rescue her out of pity. She restored her. Restored her to the world she’d been wrenched from—restored her as a person, with a right to a pension, a roof, a mug at the table. Not a hero—just a person doing the unwritten work of keeping human ties intact, when all the official bonds have snapped. Her path back would be long, but the first, hardest step was done—not in some office, but on a battered green bench, when one pensioner recognised in another not a burden—not a problem—but just old Lyd. And simply said: “Come on then, let’s go.”